13,197 Free Images of Colored By Hand

yale center for british art hand-colored etchings in the yale center for british art etching isaac cruikshank james gillray aquatint prints in the yale center for british art paper national gallery of art the aboriginal portfolio

The Little Black Bullfinch (Rubicilla minor nigra), Johann Michael Seligmann, probably 1743/1762

etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after mark catesby

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Jacques de Falaise le polyphage, 1816

louis-marie lanté 1816 in paris

Christ on the Mount of Olives, Albrecht Dürer, 1508 and 1580s

engravings by albrecht dürer in the national gallery of art german renaissance

Detail of landscape by Wu Pin (Wu Bin), ink and color on paper, 1610, Wu Bin

hand scrolls from china in the honolulu museum of art wu bin

Japon-1886-08, before 1886

photographs of japan by raimund von stillfried adolfo farsari album 01

Lachnolaimus maximusCatesbyV2P015AA, 1754

the natural history of carolina, florida, and the bahama islands (1754)lachnolaimus maximus

Les Glaces, 1801

ice cream in france le bon genre

Aquatint of a Doctor in divinity at the University of Oxford, shown wearing convocation dress, Rudolph Ackermann

academic dress of the university of oxford academic dresses in art

Motion Picture, 1 May 1915

motion picture covers antonio moreno

Yagan cropped, George Cruikshank

images of yagan that may be disturbing and offensive engravings by george cruikshank

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835

etchings in the yale center for british art etchings by george cruikshank

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805

aquatint prints in the yale center for british art james gillray

Character cheerful child

vegetables character

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789

etchings in the yale center for british art thomas burke (artist)

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

United States Military Academy, Looking South, John Hill, 1828

prints in the national gallery of art (washington, d.c.)john hill (artist)

Cerito [sic] in the Sylphide., 1846

jerome robbins dance division fanny cerrito in la sylphide

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

Dying for Love, or Captain Careless shot flying by a Girl of Fifteen, who Unexpectedly Popped her Head out of a Casement, Thomas Rowlandson, 1810

prints in the national gallery of art (washington, d.c.)romanticism

Scholars Consulting Books and a Globe, Giovanni Francesco Costa, circa 1747

etchings in the national gallery of art (washington, d.c.)giovanni francesco costa

John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789

etchings in the yale center for british art james gillray

The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share, Isaac Cruikshank, 1801

etchings in the yale center for british art isaac cruikshank

Lere vue d'Aigleville, Colonie du Texas ou Champ d'Aslie, Jean-François Garneray, circa 1830

aquatint prints in the yale center for british art jean-françois garneray

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793

etchings in the yale center for british art richard newton

The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France, James Gillray, 1795

etchings in the yale center for british art james gillray

Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Vacation Amusements. No. 4 Cultivating the Fine Arts.--- Etching, & c. or HB's Ascendancy in danger! (from: Caricature, vol. 6), John Doyle, 1840

lithograph prints in the yale center for british art john doyle

Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2), James Gillray, 1794

etchings in the yale center for british art james gillray

Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, James Gillray, 1782

etchings in the yale center for british art james gillray

Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

First Landing of Americans in Japan by Eliphalet M. Brown after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-7800144B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

First Landing of Americans in Japan by Eliphalet M. Brown after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200268B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

四季花鳥図・左隻 (Flowers and Birds of the Four Seasons / left hand screen), Kanō Eitoku

kanō school kanō eitoku

Exercise of Troops in Temple Grounds, by Eliphalet M. Brown after Peter Bernard William Heine, 1856, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200266B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

Portrait of Eleonora Maria Teresa of Savoy, Domenico Duprà, between 1740 and 1760

portraits of princesses of savoy (series in the royal palace of turin, overdoors in the dining hall)portrait paintings by domenico duprà (house of savoy)

Steamer *Yellow-Stone* (1833) - *Missouri River Expedition*, Karl Bodmer, 1832–1834

prints by karl bodmer barbizon school

French Liberty and British Slavery, James Gillray, 1792

etchings in the national gallery of art (washington, d.c.)french liberty - british slavery

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite, George Townshend, 1st Marquess Townshend, 1791

etchings in the yale center for british art george townshend, 1st marquess townshend

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us.", James Gillray, 1791

etchings in the yale center for british art james gillray

A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig, Isaac Cruikshank, 1797

etchings in the yale center for british art isaac cruikshank

Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795

etchings in the yale center for british art isaac cruikshank

Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray

etchings in the yale center for british art james gillray

Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789

etchings in the yale center for british art isaac cruikshank

Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?, James Gillray, 1791

etchings in the yale center for british art james gillray

In the Woods, Émile Bernard, 1890

pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolism lithographs in the national gallery of art (washington, d.c.)

Butterfly Hunting, Thomas Rowlandson, 1806

prints in the national gallery of art (washington, d.c.)romanticism

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match), Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King, Isaac Cruikshank, 1798

etchings in the yale center for british art isaac cruikshank

Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape, Isaac Cruikshank

etchings in the yale center for british art isaac cruikshank

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..., James Gillray, 1780

etchings in the yale center for british art james gillray

How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever, Paul Fourdrinier

engravings in the yale center for british art pierre fourdrinier

Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790

etchings in the yale center for british art isaac cruikshank

Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787

etchings in the yale center for british art isaac cruikshank

A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790

etchings in the yale center for british art isaac cruikshank

Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

La Course, from "Hero and Leander", Philibert-Louis Debucourt, 1801

prints in the metropolitan museum of art philibert-louis debucourt

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Hunting [set of four]: 4. The Death of the Fox (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Demolition of the Great or Chapel Pier of Old London Bridge, Edward William Cooke, 1852

engravings in the yale center for british art paintings by edward william cooke

New London Bridge from Billingsgate (low water), Edward William Cooke, 1832

engravings in the yale center for british art paintings by edward william cooke

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Mount Batton & Part of Cat-Water from Oreston, near Plymouth, William Payne, 1788

etchings in the yale center for british art watercolor paintings by william payne

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Hunting [set of four]: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Set of four: Comparative Sporting. 2. Grouse Shooting/The Wrong Sort, Henry Thomas Alken

etchings in the yale center for british art henry thomas alken

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

4901 - 5000 of 13,197 Next page

/ 132